[1:58:47 - 1:58:51] He goes your backyard was lit up like a Hollywood set or something

[0:46:09 - 0:46:15] That means that the missile physics has been...has received a launch signal in Hollywood, aren't you?

[0:15:21 - 0:15:24] I've been in a spin-alive diamond Hollywood and around the stage that I know what it looks

[2:39:59 - 2:40:06] I mean the Hollywood trajectory has changed and you know far more movies and better response to

[0:48:58 - 0:49:18] They don't want to touch it. It's still too scary, too hyperbolic, too weird, too bizarre. I go to sell this to Hollywood to get more money to get into investigate it. I had nowhere to go. Hollywood's like, I'm not forget this network top network officials are going to my agent and a producer that was helping me.

[0:50:47 - 0:51:16] And I'm like, well, I'm like, well, oh my god. I've got a picture now. I have a sudden, a sudden moment of of of brilliance. Why did I go to the director of the two Victor documentaries, the one in 97 and the one where he came back. Maybe he'll tell me Victor's name is this is great. I can end this because the Victor they told me Matt. Everyone in Hollywood, everyone in the government find Victor. If you find he's an actor with central casting. It's a hoax.

[0:56:27 - 0:56:55] And he claims Dr. Edward Teller got him down to this facility. Victor is the old uFologist. His name is Stan Dale. And he's not an actor. He's not a Hollywood guy. You know, scientists, former FBI informant, old time uFologist. And I contacted him. And I, and he's like, what's the absolute shock that you.

[1:05:48 - 1:06:08] And he went through a whole specific list of how hard it is with glass. If you were going to use glass or marble on those eyes of the reflection and he goes a special effects person goes through a whole dissertation of why most likely those eyes are something biological again. So I have not one person in Hollywood.

[0:23:58 - 0:24:05] I mean, in Hollywood, you're seeing AI kind of mess with the livelihood of writers.

[0:31:33 - 0:31:42] warfare campaigns that have, and Hollywood movies and internet shows and series and tabloid

[1:05:11 - 1:05:15] we'd take a very short man and then make them up like Hollywood style.

[1:28:42 - 1:28:48] After he left the presidency, he was there with a superstar and this particular producer and Hollywood

[1:30:35 - 1:30:42] of Hollywood films of John Wayne Westerns on this property or even Westworld, which is

[2:38:10 - 2:38:17] do anything. Number two, you have to use my team. We're not having any Hollywood casting call. We're

[1:11:08 - 1:11:15] and the public and movies and Hollywood and UFO conferences and books at Nossium have focused on.

[1:11:55 - 1:12:00] is this fearsome alien invasion flip. By the way, there are people in Hollywood who wanted to do

[1:12:00 - 1:12:06] a true story on this and they get shot down. The corporate Hollywood won't do it. They'll only

[1:12:11 - 1:12:16] SyOps. Peter, anyone who thinks that there's not corruption in Hollywood in the movies, we see.

[1:12:33 - 1:12:40] met with senior people in Hollywood who want to do a real movie about this and they cannot, it'll

[1:51:22 - 1:51:29] problem and whether it's the book publishing world or Hollywood, there are the folks who make sure that

[0:51:35 - 0:51:39] Not an exaggeration, not some type of Hollywood mockup.

[0:13:58 - 0:14:04] That was Hollywood. That was all this guy wanted to stain powers, so he rigged it up to be subtle.

[1:22:51 - 1:22:54] because we don't have like, we don't have a Hollywood marketing budget,

[0:15:51 - 0:15:57] We're not entirely just the creative products of some Hollywood director that maybe there's more to that.

[0:49:10 - 0:49:16] Hollywood shit, you know, make the ships from Independence. They look like a joke, you know,

[0:20:32 - 0:20:36] and two big Hollywood vantanas, all kinds of radio gear in and back,

[1:04:31 - 1:04:39] in Hollywood but the person who was the witness took off would you be willing to go on camera and

[2:23:28 - 2:23:33] that's in the Hollywood Hills called the chemosphere yeah that dope he's pretty cool fucking dope

[2:09:55 - 2:09:59] You have another guy named Chase Branden who's a CIA liaison to Hollywood

[0:35:01 - 0:35:07] we're already saying it to a certain extent. But, you know, right now with Hollywood and everything

[1:48:15 - 1:48:21] by a really talented guy who's done some major Hollywood work. And he's very excited about it.

[1:30:08 - 1:30:14] of like Hollywood, you can make a guy look like Darth Vader or whatever that they had that

[1:40:01 - 1:40:06] I think Hollywood has been engaging in soft UFO disclosure for 30 or 40 years.

[1:44:35 - 1:44:38] It's interesting to see these concepts relate in Hollywood.

[0:11:26 - 0:11:37] Several times because while we're being held up a gunpoint, which these guys are at standoff distance, it's not like they're sitting there pointing a muzzle right at your face like this close because, you know, that's only Hollywood that does that.

[0:34:58 - 0:35:01] It's not going to be like what you would see in Hollywood.

[0:53:35 - 0:53:41] with abductions, immutulations, and false images and Hollywood movies? That's what that is. It's

[2:00:39 - 2:00:45] they look at too much science fiction and Hollywood crap and way too much ufology where it mixes in

[1:23:07 - 1:23:18] And I'm going actually to meet with the most prominent celebrities in Hollywood and the most accomplished entrepreneurs.